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So far, let’s have a look at the quality of digitizing of an average-format transparent original scanned with the maximum optical resolution:


A scan of average-format Kodak Ektachrome E100S film


A fragment of this scan in its actual size

Next goes an example of the digitization of color negative Fuji S-100 film, with and without Digital ICE for Films.


The scan of color negative film


This scan is made without Digital ICE


This is the result of enabling Digital ICE

 
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