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Researchers at MIT’s media lab this week reported a new approach to generating holograms that could lead to color holographic-video displays that are much cheaper to manufacture than today’s experimental, monochromatic displays. The same technique could also increase the resolution of conventional 2D displays.

Using the new technique, Daniel Smalley, a graduate student in the media lab and first author on the new paper (published in Nature magazine), is building a prototype color holographic-video display whose resolution is roughly that of a standard-definition TV and which can update video images 30 times a second, fast enough to produce the illusion of motion. The heart of the display is an optical chip, resembling a microscope slide, which Mr. Smalley built, using only MIT facilities, for about $10.

“Everything else in there costs more than the chip. The power supplies in there cost more than the chip. The plastic costs more than the chip,” said Michael Bove, a principal research scientist at the media lab and head of its object-based media group.

When light strikes an object with an irregular surface, it bounces off at a huge variety of angles, so that different aspects of the object are disclosed when it’s viewed from different perspectives. In a hologram, a beam of light passes through a so-called diffraction fringe, which bends the light so that it, too, emerges at a host of different angles.

One way to produce holographic video is to create diffraction fringes from patterns displayed on an otherwise transparent screen. The problem with that approach is that the pixels of the diffraction pattern have to be as small as the wavelength of the light they’re bending, and most display technologies do not shrink down that much.

Sound Footing

Stephen Benton, a media lab professor who died in 2003, created one of the first holographic-video displays by adopting a different technique, called acousto-optic modulation, in which precisely engineered sound waves are sent through a piece of transparent material.

“The waves basically squeeze and stretch the material, and they change its index of refraction. So if you shine a laser through it, [the waves] diffract it,” said Mr. Bove.

Benton’s most sophisticated display – the Mark-II, which was built with the help of Bove’s group – applied acousto-optic modulation to a crystal of an expensive material called tellurium dioxide.

“That was the biggest piece of tellurium dioxide crystal that had ever been grown. And that was not TV resolution. So there was a definite scaling problem going on there,” explained Mr. Bove.

Daniel Smalley instead uses a much smaller crystal of a material called lithium niobate. Just beneath the surface of the crystal he creates microscopic channels known as waveguides, which confine the light traveling through them. Onto each waveguide, he also deposits a metal electrode, which can produce an acoustic wave.

Each waveguide corresponds to one row of pixels in the final image. In the Mark-II, the tellurium dioxide crystal had to be big enough that the acoustic waves producing the separate lines of the hologram were insulated from each other. In Mr. Smalley’s chip, on the other hand, the waveguides with their individual electrodes can be packed mere micrometers apart from each other.

Beams of red, green and blue light are sent down each waveguide, and the frequencies of the acoustic wave passing through the crystal determine which colors pass through and which are filtered out. Combining, say, red and blue to produce purple does not require a separate waveguide for each color; it just requires a different acoustic-wave pattern.

Selling Points

“Until now, if you wanted to make a light modulator for a video projector, or an LCD panel for a TV, or something like that, you had to deal with the red light, the green light and the blue light separately. If you look closely at an LCD panel, each pixel actually has three little color filters in it. There’s a red subpixel, a green subpixel and a blue subpixel. First of all, that is inefficient, because the filters, even if they were perfect, would throw away two-thirds of the light. But second, it reduces either the resolution or the speed at which the modulator can operate,” said Mr. Bove.

“What’s most exciting about [the new chip] is that it’s a waveguide-based platform, which is a major departure from every other type of spatial light modulator used for holographic video right now. Waveguides are already a common feature in commercial optoelectronics and techniques for manufacturing them are well established. One of the big advantages here is that you get to use all the tools and techniques of integrated optics. Any problem we are going to meet now in holographic video displays, we can feel confidence that there’s a suite of tools to attack it, relatively simply,” explained Mr. Smalley.

Tags: Stereo 3D


Comments currently: 1
Discussion started: 06/21/13 03:54:33 PM
Latest comment: 06/21/13 03:54:33 PM


"Beams of red, green and blue light are sent down each waveguide, and the frequencies of the acoustic wave passing through the crystal determine which colors pass through and which are filtered out. Combining, say, red and blue to produce purple does not require a separate waveguide for each color; it just requires a different acoustic-wave pattern."

cool,so when can we buy this for visible light communications at 1 terabit/s over free space too ! ,( 30 foot/10 meters should be fine to start with at retail 100 bucks a set for both ends of the home/Soho point to point link)
0 0 [Posted by: sanity  | Date: 06/21/13 03:54:33 PM]


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